So what are the mechanics of this “through the lens” shot to achieve the ghosting effect? 1. Stabilize the camera – using a tripod is best, a stable surface is a second option or, a steady hand as a last resort; 2. Set number of multiple exposures you require for the frame to (N) – usually 1 to 9; 3. For the roll of film in your SLR, determine the film speed (S); 4. Reset the camera film speed (Yes, you can override the setting) to (N S) or, if not an exact match, set it to the absolute closest speed ((N S) adjustment); 5. Take your picture, depressing the shutter button for a total count equalling the number of camera exposures you set in step “2″.
You must understand that this only works for 8 bit per channel images – those that can be put into layers but it could function also on 16 bit per channel pictures with Optipix plug-in that allows direct selection of dark or light edges. If you are not sure about which edge halo to use, there are general rules regarding such: 1. On light background tones, light edges don’t show up well and vice versa on dark ones. 2. The halo should lie on the background, not on the foreground. This technique helps the feature stand out without having to change its brightness values. Sometimes the following rules are in conflict. It is necessary, then, to try several combinations to decide which is best. You can try both edges, light edges only, dark edges only. You can experiment since different regions of your image may call for different answers.
Now you may want to add a Brightness/Contrast layer. This will help get rid of any extra grain or lines that are unwanted. I used a very subtle Brightness/Contrast layer, because I didnt want it to get too bright or too contrasted. So just experiment with it until you find a nice amount. Now that we have added our Brightness/Contrast, we are ready to start making it a brush. So first I want you to desaturate it. After desaturating our fractal we want to invert it. So invert your fractal. Now that we have inverted we are going to go to Image > Adjustments > Brightness/Contrast. 1. Every fractal is different and will require different settings. 2. I want you to experiment so your learning and not just copying down numbers. Now that we added the Brightness/Contrast we are almost done with making our brush! All we have to do now is hit Ctrl – A and go to Edit > Define Brush Preset. Name the brush what ever you want, and try it out!
Did you know that Photoshop is color blind? When I say “color blind”, I don’t mean it has a little trouble distinguishing between certain shades of green and purple. I mean it’s completely and totally blind when it comes to color. All Photoshop sees is black and white. Well, black, white, and a lot of shades of gray in between, but that’s it. The world’s most powerful image editor, an industry standard among photographers, designers, and virtually all creative professionals, capable of producing millions, even billions of colors has no idea what color is.
A very frequent question a photoshopist asks is why does his image which was shown in photoshop does not look similar to the saved image. The answer to this question is simple because when you click on save as an type in the file name you never bother to view the box which comes after it which is known as jpeg options ( note if you are saving the file in jpeg format ) drag the slider to last till the max. The format option select progressive and click on scans drop down box and select 5 to improve the image more selct the connection speed of the internet ( note for you it will work fast but for other with not high end internet connection will work slow so keep it at 56.6kbps ) or if you only want quality click 2mbps or anything lesser this will increase the image quality very much for better results change the uimage format from jpeg to png or gif they are better
If you try to learn Photoshop yourself, a trial and error method of learning will allow you to become pretty good at a few fundamental techniques. But you’ll never begin to imagine the unlimited potential of Photoshop CS2 until you sign up for Photoshop training. If you deal with images or graphics of any type in your work or in your favorite hobby, Photoshop training can help you reach your full potential. Adobe says that Photoshop CS3 Extended is ideal for film and video professionals, professionals in the manufacturing industry, medical professionals, architects and engineers, and scientific researchers. Photoshop CS3 lets professionals render 3D images and incorporate them in 2D composites. When CS2 came out, professional and novices alike were thrilled with the new Font Preview capability. And if you’re considering a career as a graphic designer or visual effects artist, Photoshop training is one of the best ways to achieve your career goals.
Pictures are made up of many things, editing requires knowledge of all 3: 1) Contrasts adjustments (the highlights and the shadows) 2) Neutral tones balance (color cast on grey) 3) Increasing or decreasing the saturation The work flow of the photographic post production can be performed with many adjustment tools as: Brightness/contrast – Color Balance – Hue/Saturation, or Levels – Hue/Saturation, or Auto-Adjustments – Sponge. This tutorial is very brief and introduces a new method to decrease color cast on neutral tones. The picture has a really intense orange color cast. I took this picture of Christopher Columbus’ statue along the “lower pavement” in Funchal (Madeira Island). No need to be a colorimetric expert to understand that, the light effect due to the night orange lights is to much. The goal is to decrease color cast, of course, without changing the “meaning” of the picture.First of all we duplicate the background layer. Then we apply Filter>Blur>Average, that will transform the picture’s layer into a colored “stain” by the average pixels’ color. Then we have to invert (ctrl+i) the obtained color in order to see the opposite color.Now we change blending mode to Color (read also Blending modes tutorial) and decrease master opacity until we obtain our goal. And that’s all!